Spanish theatre- and circus group, Patricia Pardo Company Introduces:
The Marx´s Fandango
clowns, acrobats, singers and a guitarist in a violent world, punisher and unequal.
The Marx’s fandango is against the justification of the inequality, the exclusion and the punishment. An hymn to the periphery: to escape from the centre, the power, the aggression, the abuse, the elegance. To understand again the everyday essence of communism:
"It’s Billy Elliot when challenging the bourgeois cultural spaces and reclaiming its place in the ballet, showing that the workers are not born to load and can dance (...) not because they want to reject the effort of his parents, but precisely because he wants to honor them, because in the conservative backlash of the immovable, there is no proletarian advance, just sad passions " (Jorge Moorish, 2013)
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